Independence in American Cinema Essay Example | Topics and Well Written Essays - 2000 words

Independence in American Cinema - Essay ExampleIts lavish concentration on its business merchandising efforts has escalated the concern of film critics and artists that Hollywood films portray an identity very different from the Americans. This identity loss has been addressed only during the 1980s and early 1990s by the independent directors who quicken American identity in US independent film industry.Wikipedia defines an independent movie as a film initially produced without financing or distribution from a major(ip) movie studio. In the popular sense, any film that receives less than 50% of budgeting from major studios is already considered independent. Its creative approach in movie toil enabled them to garner as much as 15% of US domestic box office revenue within the period of January to March 2005.In point to further discuss the current status of American Independent Cinema, there should be a distinction between a national cinema and the mainstream Hollywood. on that poin t are four defining approaches where one can distinguish national cinema as presented by various studies on the subject (Shaw 2002). First of the approaches is the cinemas sparing aspect, how the cinema producers provide financing. The movies subject and style constitute the second approach. While the third and fourth pertains to the appeal of the movies to the public in terms of its popular and unfavorable acceptance. It is the shift from the studio system of shooting movies in the 1950s to 1960s that paved the way for the birth of what we know today as modern American independent cinema. The reconciled production of movies that are modestly sized in budget and features was preferred instead of larger yet fewer films. In the previous decades, 1930s to 1940s, cinema performers were laced with their contracts in a major Hollywood studio that they were employed in. Both the directors and actors had a long-term contract with 20th Century Fox, Paramount Pictures, Metro-Goldwyn-Mayer (MGM), Columbia Pictures, and Warner Brothers, the major Hollywood studios in those days. Just to be temporarily employed, one studio will be loaned by one studio to another for a particular go through with the expectation that such offers would be reimbursed in kind. (Yahnke n.d.) This monopolistic approach in American cinema industry was only ended when television was introduced in 1950s, together with the improved capacity of directors to decide over their creations and the actors capacity to become free agents ushered the death of studio system. (Chapter 2 Classic Films n.d.).